The Evanston Art Center (EAC), founded over 95 years ago in 1929, is an integral part of community life, providing access and experiences in the arts to people of all ages, backgrounds and abilities. Through community-based events, classes and exhibitions, EAC helps expand its mission to provide accessible arts education and arts enrichment experiences to the community and the surrounding areas.
The Evanston Art Center’s galleries exhibit contemporary artwork by emerging and established artists, and are free and open to the public seven days a week. Exhibition programming includes publications, artist talks, interviews with curators, opening receptions, In Focus lectures and docent led tours for groups (please call to schedule a tour) at no charge to the public.
The Evanston Art Center’s in-person and online art courses have something for everyone and every schedule. Subjects include: painting, drawing, sculpting, jewelry, bookbinding, and much more! Browse our online adult and youth course schedule at EvanstonArtCenter.org
Opening receptions typically held on first Sunday of exhibition 1–4pm.
Photo credit: Erica McKeehen
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I have always collected found images. I have always looked at these objects as viewfinders into the past, some mine and some others. During COVID and the inability to travel I found myself going through a box of vintage color postcards looking at the images as if through a viewfinder. Within those frames I would begin to select a portion that would make an interesting image or print, sort of an “image within an image”. The enlarged lithography dot pattern added and abstract edge to the images and allowed me to present a unique vision. Of course there are numerous historic connections here for me, the Taos Church is a photographic icon, captured by the likes of Paul trand and Ansel Adams. One of my photographic heroes is Alfred Stieglitz, my cloud images connect to his Equivalents Series. There is also a graphic design or “painterly” quality to some of these images, the dot pattern of Roy Lichtenstein and to Andy Warhol as well. Many of these choices were intuitive, with others connecting only during the process when other connections revealed themselves. This body of work is at times more personal than some of my previous work and it has become important for me to show and to share this work within a gallery. I have been practicing fine art photography since the mid 1970s. I have watched it grow and I have developed my vision and my skills during this same period, this body of work presents the culmination of those efforts and presents a sense of my personal vision.
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