{"article":{"id":2537,"title":"Sculpture Milwaukee Announces 8th Annual Exhibition is on View: Actual Fractals, Act II","excerpt":"","body":"<html><head></head><body><figure class=\"image\"><img src=\"https://res.cloudinary.com/dfafo598z/image/upload/v1721419401/pwkuwejdiaijhrytt3at.jpg\"><figcaption>Naotaka Hiro (Japanese, b. 1972) <i>A Hole in My Stomach, 2024 </i>Stainless steel, steel74 x 25 x 10 inches. Courtesy of the artist and MISAKO &amp; ROSEN, Tokyo<br>Part of Actual Fractals, Act II, Curator: John Riepenhoff. &nbsp;Location: Baird Center, Wisconsin Ave, Milwaukee, WI<br>Image courtesy of Michael Lagerman.<br>&nbsp;</figcaption></figure><p>VIA PR</p><p>Sculpture Milwaukee announced that <a href=\"https://www.sculpturemilwaukee.com/visit\"><i>Actual Fractals, Act II</i>,</a> its 2024-25 and eighth annual free exhibition of works by renowned international artists, is now on view in downtown Milwaukee.&nbsp;</p><p>A follow up to <i>Actual Fractals, Act I</i>, Sculpture Milwaukee's 2023-24 exhibition, <i>Actual Fractals, Act II</i> extends its thematic interest in monumental public art exploring the interconnections of human beings, nature, animals, and cosmopolitan communities, despite human beings' perceived differences and divisions.</p><p>Combining a lively, thought-provoking mix of existing works and new pieces commissioned by Sculpture Milwaukee, the exhibition<i> </i>celebrates a new cohort of artists who invite the public to connect and see each other with fresh eyes. “We’ve chosen artists who are committed to breaking down barriers and, in one way or another, describe the complex interconnections between us and the world we live in,” said artist John Riepenhoff, Sculpture Milwaukee's executive director and current guest curator, who organized both acts of <i>Actual Fractals</i>. “Their capacity to help us reflect on how we share space together, in this moment, feels like a revelation.”</p><p>Spanning a mile of Wisconsin Avenue, <i>AF, Act II</i> features, on a plaza next to the Baird Center, <strong>“A Hole in My Stomach” (2024), a new steel figural work by the celebrated Japanese-born, California-based artist Naotaka Hiro</strong>. A contemporary response to the historic Japanese movement, Gutai, Hiro focuses on the body and its unknowability. The sculptural work, like his canvases, involve molding material to his body which is akin to a performance. This process requires a tremendous amount of endurance, evidence of which is visible in the piece. A few blocks to the east, across the Milwaukee River, <strong>“Abundant” (2024), a cast bronze basket with painted enamel accents by Teresa Baker</strong>, invites quiet contemplation of the handicrafts of her Native Mandan/Hidatsa culture. Perched across the street from the Milwaukee Federal Courthouse in its first U.S. viewing, <strong>“Pangolin” (2021/24), a cast bronze, white-lacquered sculpture by the late German-Iraqi artist Lin May Saeed</strong>, poignantly emphasizes the beauty and vulnerability of this rare mammal. And at the far eastern end of the avenue, in Museum Center Park—a stone’s throw from Milwaukee’s signature orange “Sunburst” (formally, “The Calling”) by Mark di Suvero—<strong>“Untitled” (2024), a totemic painted aluminum figure by the Japanese artist Izumi Kato</strong> brings to mind Paleolithic art and futuristic aesthetics at the same time.</p><p>More large-scale works selected by Riepenhoff for <i>AF, Act II</i>—including<i> </i>pieces by <strong>Derrick Adams</strong>, <strong>Sarah Braman</strong>, <strong>Anish Kapoor</strong>, <strong>Mary Miss</strong>, and Milwaukee-based artist <strong>Michelle Grabner</strong>—will be arriving downtown next month and throughout the summer. In the meantime, all nine of the sculptures included in <i>Actual Fractals, Act I</i> are still up, dotting parks and plazas across the city. And there’s another exciting new arrival—originally commissioned by the Swiss-born, New York-based artist Ugo Rondionone for <i>Nature Doesn’t Know About Us</i>, his 2022-23 Sculpture Milwaukee exhibition—that was also recently installed in Museum Center Park: “Glass Spiral” (1990/2024), an ecosystem by the esteemed multimedia artist Meg Webster, who is closely affiliated with the Land Art movement of the 1970s. Viewers of all ages and levels of ability can enter the sculpture, which coils like a snail’s shell, to experience the mesmerizing water- and plant-filled piece from the inside, making themselves moving parts of this new, reengineered version of another beloved “Glass Spiral” that the Milwaukee Art Museum commissioned Webster to make in 1990.</p><p>&nbsp;</p><p>In addition to creating new resonance among all the works installed across Milwaukee by our past and present programmers—today, there are a total of 31 sculptures on view from different overlapping exhibitions—Sculpture Milwaukee is brewing up more ephemeral programming to enrich viewing experiences. Debuting a fresh identity for our organization, design and branding elements—seen everywhere from our posters and placards—created by alphabet artist Nat Pyper play with the words “Sculpture” and “Milwaukee” in curving arrangements that mimic the geography of the rivers that bend and merge downtown, and how people move and congregate around public art. Reflecting our interest in building new layers of value, for viewers and artists alike, Pyper’s designs are part the <i>AF, Act II</i>, as are works of social choreography that Sculpture Milwaukee commissioned from Kim Miller, a local performance and visual artist, to help activate audiences and engagement with works in the exhibition.</p><p>“As we continue to gear up and build on Sculpture Milwaukee’s success, we’re not only finding ways to collaborate and co-invest to support artists, but also to spark new conversations about public art that are as important internationally as they are to Milwaukeeans,” said Riepenhoff. “It’s an exciting time, as art increasingly takes a central place in our city and our culture. <i>Actual Fractals</i> champions bold new artists alongside more established art stars, and I’m thrilled to share this exhibition with many different local audiences and visitors to our remarkable city. I invite you to come down and see the exhibition early and often, as it will be growing and changing not only across the seasons, but every day, as new viewers come, move around, and bring new resonance to the works with their enjoyment and investigation of the sculptures we’ve brought to the streets of Milwaukee.”</p><p>&nbsp;</p><p><strong>EXHIBITION PROGRAMMING</strong></p><p>Guided tours of <i>Actual Fractals, Act II</i></p><p>Walking tours, Monday, July 22, and Monday, August 5, 2024, 5:30 pm</p><p>Tour by trolley, Monday, July 29, 2024, 4 pm</p><p>Self-guided tours</p><p>Visitors can view <a href=\"https://www.sculpturemilwaukee.com/visit\">a map online of all the curated works currently on view</a>, or they can scan the QR code on any sculpture’s object label for more information.&nbsp;</p><p>&nbsp;</p><p><strong>EXHIBITION CURATION&nbsp;</strong></p><p><i>Actual Fractals, Act II</i> is curated by John Riepenhoff, executive director of Sculpture Milwaukee. A multimedia artist and Milwaukee native whose exhibitions and curatorial projects have been presented at the Whitney Museum of American Art, the Tate Modern in London, and the Minneapolis Institute of Art, among other places, Riepenhoff also owns and operates The Green Gallery, located on Milwaukee’s Lower East Side.</p><p>&nbsp;</p></body></html>","published_at":"2024-06-24 07:00:00","state":"published","slug":"sculpture-milwaukee-announces-8th-annual-exhibition-is-on-view-actual-fractals-act-ii","type":"NewsPost","meta_description":"","text":null,"created_at":"2024-06-24 14:33:59.848552","updated_at":"2024-06-24 14:36:44.515631","category_id":1,"highlighted":true,"searchable":"'-23':561B '-24':105B '-25':74B '10':31B '1970s':597B '1972':18B '1990':654B '1990/2024':576B '2021/24':384B '2022':560B '2023':104B '2024':24B,73B,266B,346B,443B,980B,990B '22':975B '25':29B '29':989B '30':982B '31':680B '4':991B '5':979B,981B '8th':4A 'abil':605B 'abund':345B 'accent':354B 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'york-bas':546B","thumbnail":"https://res.cloudinary.com/dfafo598z/image/upload/f_auto,q_auto/v1721767463/wdqbhwawgqaq18sk8vlc.jpg","editor_pick":false,"category_name":"Announcements"},"related":[{"id":14456,"title":"Illinois Holocaust Museum to Reopen November 11 Following Renovation","excerpt":"","body":"<p><img src=\"https://res.cloudinary.com/dfafo598z/image/upload/v1792084737/qrikvx76nvvt5agq24rq.jpg\"></p><p><br></p><p>By CGN STAFF</p><p><br></p><p>Illinois Holocaust Museum &amp; Education Center will reopen its Skokie location on November 11, 2026, following a renovation that expands visitor spaces, updates its core Holocaust exhibition and adds a new reflection gallery. The reopening is timed to coincide with Veterans Day. Active military personnel, veterans and their families will receive free admission that day.</p><p><br></p><p>The project includes a redesigned Lillian &amp; Larry Goodman Auditorium and Gallery, an enlarged lobby in the Shapiro Family Foundation Welcome Center, and a refreshed Resilience Hall with an expanded stage for presentations and public programs.</p><p><br></p><p>Updates to the Zev &amp; Shifra Karkomi Holocaust Exhibition include additional material on the roots of antisemitism, the story of Chicago resident Leo Edelman, and the experiences of other groups targeted by the Nazis. A new reflection gallery, accessible from the exhibition, offers visitors a quiet space during and after their visit.</p><p><br></p><p>“Every visitor’s experience now begins differently and runs deeper,” said Kelley Szany, the Museum’s senior vice president of education and exhibitions. “The new welcome center sets the tone from the moment people arrive, the enhanced core Holocaust exhibition brings the history and the voices of survivors into sharper focus, and our new auditorium gives us a place to gather, listen, and talk about what it means for our communities today.”</p><p><br></p><p>Existing attractions, including the virtual reality theater, the interactive Survivor Stories Experience holographic theater, the Take A Stand Center and the Voices of Genocide Exhibition, will remain part of the Museum’s offerings.</p><p><br></p><p>Following the reopening,&nbsp;<em>Blacklist: The Hollywood Red Scare</em>&nbsp;will open November 15 in the special exhibition gallery. Created by and on loan from Jewish Museum Milwaukee, the exhibition examines the intersections of politics, antisemitism, freedom of speech and national security during the Red Scare of the 1940s and 1950s. It will remain on view through March 2027.</p><p><br></p><p>The Museum’s satellite location in Chicago’s River North neighborhood, <span style=\"color: rgb(13, 13, 13);\">Experience360, </span>will remain open through December 31, 2026. The downtown space opened during the Skokie renovation to provide continued access to the Museum’s immersive exhibitions.</p><p><br></p><p>For information and ticket reservations, visit&nbsp;<a href=\"https://www.ilholocaustmuseum.org/\" rel=\"noopener noreferrer\" target=\"_blank\">ilholocaustmuseum.org</a>.</p><p><br></p><p><span style=\"color: rgb(136, 136, 136);\">Image: Museum exterior. Photo by David Seide/Definedspace.com</span></p>","published_at":"2026-10-15 09:32:55.31","state":"published","slug":"illinois-holocaust-museum-to-reopen-november-11-following-renovation","type":null,"meta_description":"","text":null,"created_at":"2026-10-15 17:18:57.712","updated_at":"2026-10-15 17:18:57.712","category_id":1,"highlighted":false,"searchable":"'11':7A,25B '15':269B '1940s':304B '1950s':306B '2026':26B,333B '2027':314B '31':332B 'access':139B,345B 'activ':54B 'add':40B 'addit':111B 'admiss':64B 'antisemit':117B,291B 'arriv':187B 'attract':226B 'auditorium':75B,207B 'begin':158B 'blacklist':261B 'bring':193B 'center':17B,87B,179B,243B 'cgn':11B 'chicago':121B,321B 'coincid':50B 'communiti':223B 'continu':344B 'core':36B,190B 'creat':275B 'david':364B 'day':53B,66B 'decemb':331B 'deeper':162B 'differ':159B 'downtown':335B 'edelman':124B 'educ':16B,173B 'enhanc':189B 'enlarg':79B 'everi':153B 'examin':286B 'exhibit':38B,109B,142B,175B,192B,249B,273B,285B,351B 'exist':225B 'expand':31B,95B 'experi':127B,156B,236B 'experience360':326B 'exterior':361B 'famili':60B,84B 'focus':203B 'follow':8A,27B,258B 'foundat':85B 'free':63B 'freedom':292B 'galleri':44B,77B,138B,274B 'gather':213B 'genocid':248B 'give':208B 'goodman':74B 'group':130B 'hall':92B 'histori':195B 'hollywood':263B 'holocaust':2A,14B,37B,108B,191B 'holograph':237B 'ilholocaustmuseum.org':358B 'illinoi':1A,13B 'imag':359B 'immers':350B 'includ':69B,110B,227B 'inform':353B 'interact':233B 'intersect':288B 'jewish':281B 'karkomi':107B 'kelley':164B 'larri':73B 'leo':123B 'lillian':72B 'listen':214B 'loan':279B 'lobbi':80B 'locat':22B,319B 'march':313B 'materi':112B 'mean':220B 'militari':55B 'milwauke':283B 'moment':185B 'museum':3A,15B,167B,255B,282B,316B,348B,360B 'nation':296B 'nazi':134B 'neighborhood':325B 'new':42B,136B,177B,206B 'north':324B 'novemb':6A,24B,268B 'offer':143B,257B 'open':267B,329B,337B 'part':252B 'peopl':186B 'personnel':56B 'photo':362B 'place':211B 'polit':290B 'present':98B 'presid':171B 'program':101B 'project':68B 'provid':343B 'public':100B 'quiet':146B 'realiti':230B 'receiv':62B 'red':264B,300B 'redesign':71B 'reflect':43B,137B 'refresh':90B 'remain':251B,309B,328B 'renov':9A,29B,341B 'reopen':5A,19B,46B,260B 'reserv':356B 'resid':122B 'resili':91B 'river':323B 'root':115B 'run':161B 'said':163B 'satellit':318B 'scare':265B,301B 'secur':297B 'seide/definedspace.com':365B 'senior':169B 'set':180B 'shapiro':83B 'sharper':202B 'shifra':106B 'skoki':21B,340B 'space':33B,147B,336B 'special':272B 'speech':294B 'staff':12B 'stage':96B 'stand':242B 'stori':119B,235B 'survivor':200B,234B 'szani':165B 'take':240B 'talk':216B 'target':131B 'theater':231B,238B 'ticket':355B 'time':48B 'today':224B 'tone':182B 'updat':34B,102B 'us':209B 'veteran':52B,57B 'vice':170B 'view':311B 'virtual':229B 'visit':152B,357B 'visitor':32B,144B,154B 'voic':198B,246B 'welcom':86B,178B 'zev':105B","thumbnail":"https://res.cloudinary.com/dfafo598z/image/upload/v1792084731/ziynfdisvbupniolikjr.jpg","editor_pick":true},{"id":14357,"title":"As One New Fair Opens another Familiar Name Announces Its Return in 2027","excerpt":null,"body":"<p><img src=\"https://res.cloudinary.com/dfafo598z/image/upload/v1791471661/j25vt7cxeohehapkz9n1.jpg\"></p><p><br></p><p>By GINNY VAN ALYEA</p><p><br></p><p>SOFA Chicago, the longtime fair devoted to sculpture, objects, functional art and collectible design, will return to the city October 28–31, 2027, as part of Chicago Art Fair at THE MART, which opened its inaugural edition last night. </p><p><br></p><p>Founded in Chicago in 1994, SOFA became a popular fixture on the city’s fall arts calendar. For much of its history, collectors and visitors gathered at Navy Pier to discover works in glass, ceramics, wood, metal and fiber, alongside sculpture and design. Its focus on materials and craftsmanship gave the fair a distinct identity and cultivated a devoted audience.</p><p><br></p><p>The announcement comes as the inaugural Chicago Art Fair gets underway at THE MART. The new fair opened with a preview on October 7 and continues through October 10, presenting modern and contemporary art. Tim von Gal, CEO and producer of SOFA Chicago and CEO of Intersect Art and Design, was in Chicago this week for the occasion.</p><p>Organizers describe the 2027 collaboration as two distinct but complementary presentations under one roof, with SOFA’s focus on three-dimensional art and design alongside Chicago Art Fair’s broader offerings.</p><p><br></p><p>“Chicago has always been an extraordinary home for SOFA and a city with a deep appreciation for art, craft, architecture and design,” said von Gal in the announcement. “Joining the Chicago Art Fair at THE MART gives us the opportunity to build upon that legacy while creating an exciting new experience for collectors and exhibitors alike.”</p><p>Eric Smith, owner of Chicago Art Fair and CEO of Redwood Art Group, said the addition would broaden the fair’s scope while preserving SOFA’s identity.</p><p><br></p><p>“SOFA has a remarkable legacy and a distinct identity, and its return adds an important new dimension to the fair while reinforcing Chicago’s position as a destination for collectors, galleries and art lovers from around the world,” Smith said.</p><p><br></p><p>For those who remember SOFA as an annual opportunity to encounter ambitious work in craft and design, the return will be welcome news. The participating galleries and programming, still to be announced, will provide a fuller picture of how that legacy will take shape in its new setting.</p><p><br></p><p>SOFA Chicago is produced by Intersect Art and Design, which also organizes annual art and design fairs in Aspen and Palm Springs.</p><p><br></p><p>Additional details about exhibitors, partnerships and tickets are expected in the coming months. </p><p><br></p><p>Visit&nbsp;<a href=\"https://chicagoartfair.com/\" rel=\"noopener noreferrer\" target=\"_blank\">chicagoartfair.com</a> for updates.</p>","published_at":"2026-10-08 08:42:55.758","state":"published","slug":"as-one-new-fair-opens-another-familiar-name-announces-its-return-in-2027","type":null,"meta_description":"","text":null,"created_at":"2026-10-08 15:01:02.232","updated_at":"2026-10-08 15:01:02.232","category_id":1,"highlighted":false,"searchable":"'10':145B '1994':61B '2027':13A,40B,178B '28':38B '31':39B '7':140B 'add':302B 'addit':278B,400B 'alik':262B 'alongsid':96B,200B 'also':388B 'alway':209B 'alyea':17B 'ambiti':341B 'announc':9A,118B,234B,361B 'annual':337B,390B 'anoth':6A 'appreci':222B 'architectur':226B 'around':325B 'art':28B,45B,72B,124B,150B,164B,197B,202B,224B,238B,268B,274B,322B,384B,391B 'aspen':396B 'audienc':116B 'becam':63B 'broaden':280B 'broader':205B 'build':248B 'calendar':73B 'ceo':154B,161B,271B 'ceram':91B 'chicago':19B,44B,59B,123B,159B,169B,201B,207B,237B,267B,312B,379B 'chicagoartfair.com':414B 'citi':36B,69B,218B 'collabor':179B 'collect':30B 'collector':79B,259B,319B 'come':119B,411B 'complementari':184B 'contemporari':149B 'continu':142B 'craft':225B,344B 'craftsmanship':105B 'creat':253B 'cultiv':113B 'deep':221B 'describ':176B 'design':31B,99B,166B,199B,228B,346B,386B,393B 'destin':317B 'detail':401B 'devot':23B,115B 'dimens':306B 'dimension':196B 'discov':87B 'distinct':110B,182B,297B 'edit':54B 'encount':340B 'eric':263B 'excit':255B 'exhibitor':261B,403B 'expect':408B 'experi':257B 'extraordinari':212B 'fair':4A,22B,46B,108B,125B,133B,203B,239B,269B,282B,309B,394B 'fall':71B 'familiar':7A 'fiber':95B 'fixtur':66B 'focus':101B,192B 'found':57B 'fuller':365B 'function':27B 'gal':153B,231B 'galleri':320B,355B 'gather':82B 'gave':106B 'get':126B 'ginni':15B 'give':243B 'glass':90B 'group':275B 'histori':78B 'home':213B 'ident':111B,289B,298B 'import':304B 'inaugur':53B,122B 'intersect':163B,383B 'join':235B 'last':55B 'legaci':251B,294B,370B 'longtim':21B 'lover':323B 'mart':49B,130B,242B 'materi':103B 'metal':93B 'modern':147B 'month':412B 'much':75B 'name':8A 'navi':84B 'new':3A,132B,256B,305B,376B 'news':352B 'night':56B 'object':26B 'occas':174B 'octob':37B,139B,144B 'offer':206B 'one':2A,187B 'open':5A,51B,134B 'opportun':246B,338B 'organ':175B,389B 'owner':265B 'palm':398B 'part':42B 'particip':354B 'partnership':404B 'pictur':366B 'pier':85B 'popular':65B 'posit':314B 'present':146B,185B 'preserv':286B 'preview':137B 'produc':156B,381B 'program':357B 'provid':363B 'redwood':273B 'reinforc':311B 'remark':293B 'rememb':333B 'return':11A,33B,301B,348B 'roof':188B 'said':229B,276B,329B 'scope':284B 'sculptur':25B,97B 'set':377B 'shape':373B 'smith':264B,328B 'sofa':18B,62B,158B,190B,215B,287B,290B,334B,378B 'spring':399B 'still':358B 'take':372B 'three':195B 'three-dimension':194B 'ticket':406B 'tim':151B 'two':181B 'underway':127B 'updat':416B 'upon':249B 'us':244B 'van':16B 'visit':413B 'visitor':81B 'von':152B,230B 'week':171B 'welcom':351B 'wood':92B 'work':88B,342B 'world':327B 'would':279B","thumbnail":"https://res.cloudinary.com/dfafo598z/image/upload/v1791471648/qlsatdxqgau2braeekxu.jpg","editor_pick":true},{"id":14324,"title":"Pigment International Dedicates Black Fine Art Month 2026 to Richard Hunt","excerpt":"","body":"<p><img src=\"https://res.cloudinary.com/dfafo598z/image/upload/v1791479103/r9oi9u47474rx2synx0p.png\"></p><p><span style=\"color: rgb(136, 136, 136);\">The artist Richard Hunt</span></p><p><br></p><p><br></p><p>By CGN Staff</p><p><br></p><p>Pigment International has dedicated Black Fine Art Month 2026 to Chicago sculptor Richard Hunt (1935–2023), recognizing his contributions to American art and his lifelong connection to the city.</p><p><br></p><p>As part of the month’s programming, the organization will host&nbsp;<em>Pigmented: Chicago to the World — A Black Fine Art Convening</em>&nbsp;on October 23 at the University of Chicago’s Logan Center for the Arts. Partners include the Richard Hunt Legacy Foundation, Adler University, CAI Designs, Chicago Public Art Group, Chicago Sculpture Exhibit and Diasporal Rhythms.</p><p><br></p><p>Born and raised on Chicago’s South Side, Hunt developed an internationally recognized practice while continuing to live and work in his hometown. His welded metal sculptures brought together abstract forms, references to the natural world and an enduring interest in freedom and social justice.</p><p><br></p><p>Hunt identified attending Emmett Till’s funeral in 1955 as a turning point in his artistic life. Till had lived just two blocks from Hunt’s home. Decades later, Hunt’s public commissions would honor figures including Martin Luther King Jr., Mary McLeod Bethune, Jesse Owens and Ida B. Wells, while also addressing the Middle Passage and the Great Migration.</p><p>In 1968, President Lyndon Johnson appointed Hunt to the National Council on the Arts, where he became its first African American member. In 1971, at age 35, he became the first African American sculptor to receive a retrospective at New York’s Museum of Modern Art. His career encompassed more than 150 solo exhibitions and more than 160 public art installations.</p><p><br></p><p><img src=\"https://res.cloudinary.com/dfafo598z/image/upload/v1791479104/lltcodkx39gd8sbhtus1.png\"></p><p><em style=\"color: rgb(136, 136, 136);\">Richard Hunt with artist Chris Devins, who recently completed a mural honoring the sculptor in Hyde Park. Photo courtesy of Chris Devins.</em></p><p><br></p><p>Recent projects in Chicago offer new ways to encounter Hunt’s work and history. This fall, the Logan Center opened the Hunt, a café honoring the artist. Created and designed by Little Black Pearl founder and executive director Monica Haslip, the space incorporates two Hunt sculptures, African art, archival materials and photographs by Sandro Miller.</p><p>In Hyde Park, artist Chris Devins and historian Michelle Duster have brought a mural of Hunt to 1515–19 E. 54th Street. The portrait is based on photographs Devins took in Hunt’s studio before the sculptor’s death.</p><p><br></p><p>“Richard Hunt was a giant in the arts world and people need to see what he looked like and be inspired by his legacy,” Devins said.</p><p><br></p><p>Pigment International’s dedication also reflects its own relationship with Hunt. The organization featured him in its magazine in 2020, and he welcomed its Black Fine Art Month programming into his studio in October 2021.</p><p><br></p><p>#</p><p><br></p><p>Two events take place this month:</p><p><br></p><p><strong>Pigment International at SPECTRUM Chicago Art Fair</strong></p><p><br></p><p>October 7–10, 2026.</p><p>Chicago Merchandise Mart, seventh floor, booth #3091.</p><p>Wednesday, October 7, 5–8 pm, with a champagne toast in the booth and an artist meet-and-greet.</p><p>Thursday, October 8, 6-8pm with Diasporal Rhythms</p><p>Featured artists:&nbsp;Jesse Howard, Howard Simmons, Edo, Candace Hunter, Sura DuPart and Max Sansing.</p><p>Additional events are taking place during the fair</p><p><br></p><p><strong>Chicago to the World: A Black Fine Art Month Convening</strong></p><p>Presented by Pigment International as part of Black Fine Art Month, which the organization has dedicated this year to Richard Hunt.</p><p>Friday, October 23, 2026, 11:30 am–5 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