![](\"https://res.cloudinary.com/dfafo598z/image/upload/v1792084737/qrikvx76nvvt5agq24rq.jpg\")
Via PR
CHICAGO – The Obama Foundation announced today it will soon be installing works by two notable American artists Spencer Finch (NY) and Lindsay Adams, an upcoming graduate of the School of the Art Institute of Chicago, at the Obama Presidential Center. Their installations are among 25 site-specific works from a range of luminary to emerging artists that will be featured at the Center as part of a broad commitment to elevating public art across its campus.
“From their earliest days in the White House, President and Mrs. Obama celebrated the power of art to inspire change,” said Valerie Jarrett, CEO of the Obama Foundation. “We are proud to continue their legacy by featuring unique artwork from Spencer Finch, Lindsay Adams, and other extraordinary artists at the Obama Presidential Center. We look forward to serving as a place to activate the imagination of visitors from Chicago and around the world, and inspire them to bring change home to their communities.”
“Both Spencer and Lindsay bring a strong sense of place and purpose to their work that accomplishes President Obama’s goal for the arts on campus: to spark conversations about the world as it is and the world as it ought to be,” said Louise Bernard, the Obama Presidential Center Museum Director. “We look forward to working with Lindsay and Spencer in the coming weeks as they join us onsite to install their work, and sharing their pieces with visitors next year.”
Spencer Finch
Spencer Finch is best known for his moving installation at the 9/11 Memorial & Museum: “Trying to Remember the Color of the Sky on That September Morning.” In that piece, Finch used 2,983 individual watercolor tile squares to honor the victims of the attacks and symbolize the idea of memory.
Finch’s piece for the Obama Center will similarly incorporate memory, color and a sense of place. Drawing on inspiration from President Obama’s autobiography “Dreams from My Father,” Finch will showcase a tile wall mural installation entitled “To Disappear Enhances – (Memory Landscapes)” that evokes memories of places from the President’s formative years, including Honolulu, Jakarta, Chicago, and Nairobi. The colors for each location were selected personally by President Obama from a large palette to represent a specific personal memory from that place. Measuring 12’ x 66’8”, Finch’s mural of tiles made of fired and glazed clay will be on display to welcome visitors in the lower level lobby of the Center’s Forum building.
“It is an honor to create a new piece for the Obama Presidential Center that speaks directly to the earliest life experiences of President Obama,” said Spencer Finch. “It is my hope that this artwork will slowly reveal its meaning and specificity as viewers spend time with it. The piece aims to transform into the historical landscape and internal portraits of the President's memories, connecting his world experience with the experiences of the visitors.”
Lindsay Adams
Visitors to the Center’s café will also have the opportunity to experience “Weary Blues” – a meditation on resilience, beauty, and the power of abstract forms from Chicago-based artist Lindsay Adams, currently a graduate student at SAIC. Her 24 x 24 inch painting, originally created in 2024, will be translated into silkscreen panels on fabric. The work is titled after Langston Hughes’ iconic poem and carries forward a lineage of Black creative expression that holds space for both weariness and transcendence.
“It is my privilege to translate ‘Weary Blues’ for the Obama Presidential Center,” said Lindsay Adams. “The piece will become part of a shared environment at the Center’s café – an atmosphere for gathering, reflection, and rest – extending the piece’s emotional tenor into a communal space rooted in legacy, resilience, and imagination. It’s an honor to contribute to the rich tradition of Black artistic expression on Chicago’s South Side and to help carry that creative legacy forward.”
Today’s announcement is the latest in a series of more than 25 artists who will have original pieces on display to the public at the Obama Presidential Center.
Nearly all original artwork will be free to view by the public at the Obama Presidential Center when the campus opens in 2026.
About Lindsay Adams
Lindsay Adams (b. 1990, Washington, D.C.) is a writer and painter working across traditional mediums. Employing her educational foundation as a social scientist, with a background in foreign relations, sociology, and cultural anthropology, she systematically engages in her work with precise critical analysis and a perceptive understanding of the complex fabric of social dynamics. Lindsay received her B.A.s in both in International Studies: World Politics and Diplomacy and Spanish from The University of Richmond.
Embracing her intersectional identity, Lindsay’s work serves as a reflection of self, exploring personal and collective histories and the role imagination plays in mining the complexities and nuances of life. Her current body of work is a conceptual investigation of the balance between the known and the possible, examining themes of place, liberation, expanse, and freedom. Each intuitive mark invites a dialogue between reality and dreaming, as she mines through layers of gesture and color to build worlds. Adams alternates between abstract and representational forms, employing formal techniques that highlight the physicality of paint and the delicacy of gesture. In this way, she weaves multiple paintings within one, crafting a rich tapestry, informed by interconnected experiences that invite reflection on the boundlessness of dreaming. Adams’ work highlights her interest in constructing imagined ecologies, spaces in which rhythmic gestures and dynamic hues engage in a continuous dialogue.
Lindsay Adams is currently finalizing her MFA in Painting and Drawing at the School of the Art Institute of Chicago She has been the recipient of the Helen Frankenthaler Award in 2024 and the New Artist Society Merit Award in 2023. Her work has been exhibited at the Baltimore Museum of Art, MD and the Martin Luther King Jr. Memorial Library, Washington, D.C., and is included in the collections of the Baltimore Museum of Art and Northwestern Law School.
#
Top image: Gutter (Brooklyn) beer bottle, leaf, soda can, vitamin water, roll of duct tape, orange powder, yogurt lid, 2019
Watercolor on papr
21 x 29.5 inches
24.25 x 32.25 inches, framed
By CGN STAFF
Illinois Holocaust Museum & Education Center will reopen its Skokie location on November 11, 2026, following a renovation that expands visitor spaces, updates its core Holocaust exhibition and adds a new reflection gallery. The reopening is timed to coincide with Veterans Day. Active military personnel, veterans and their families will receive free admission that day.
The project includes a redesigned Lillian & Larry Goodman Auditorium and Gallery, an enlarged lobby in the Shapiro Family Foundation Welcome Center, and a refreshed Resilience Hall with an expanded stage for presentations and public programs.
Updates to the Zev & Shifra Karkomi Holocaust Exhibition include additional material on the roots of antisemitism, the story of Chicago resident Leo Edelman, and the experiences of other groups targeted by the Nazis. A new reflection gallery, accessible from the exhibition, offers visitors a quiet space during and after their visit.
“Every visitor’s experience now begins differently and runs deeper,” said Kelley Szany, the Museum’s senior vice president of education and exhibitions. “The new welcome center sets the tone from the moment people arrive, the enhanced core Holocaust exhibition brings the history and the voices of survivors into sharper focus, and our new auditorium gives us a place to gather, listen, and talk about what it means for our communities today.”
Existing attractions, including the virtual reality theater, the interactive Survivor Stories Experience holographic theater, the Take A Stand Center and the Voices of Genocide Exhibition, will remain part of the Museum’s offerings.
Following the reopening, Blacklist: The Hollywood Red Scare will open November 15 in the special exhibition gallery. Created by and on loan from Jewish Museum Milwaukee, the exhibition examines the intersections of politics, antisemitism, freedom of speech and national security during the Red Scare of the 1940s and 1950s. It will remain on view through March 2027.
The Museum’s satellite location in Chicago’s River North neighborhood, Experience360, will remain open through December 31, 2026. The downtown space opened during the Skokie renovation to provide continued access to the Museum’s immersive exhibitions.
For information and ticket reservations, visit ilholocaustmuseum.org.
Image: Museum exterior. Photo by David Seide/Definedspace.com
","published_at":"2026-10-15 09:32:55.31","state":"published","slug":"illinois-holocaust-museum-to-reopen-november-11-following-renovation","type":null,"meta_description":"","text":null,"created_at":"2026-10-15 17:18:57.712","updated_at":"2026-10-15 17:18:57.712","category_id":1,"highlighted":false,"searchable":"'11':7A,25B '15':269B '1940s':304B '1950s':306B '2026':26B,333B '2027':314B '31':332B 'access':139B,345B 'activ':54B 'add':40B 'addit':111B 'admiss':64B 'antisemit':117B,291B 'arriv':187B 'attract':226B 'auditorium':75B,207B 'begin':158B 'blacklist':261B 'bring':193B 'center':17B,87B,179B,243B 'cgn':11B 'chicago':121B,321B 'coincid':50B 'communiti':223B 'continu':344B 'core':36B,190B 'creat':275B 'david':364B 'day':53B,66B 'decemb':331B 'deeper':162B 'differ':159B 'downtown':335B 'edelman':124B 'educ':16B,173B 'enhanc':189B 'enlarg':79B 'everi':153B 'examin':286B 'exhibit':38B,109B,142B,175B,192B,249B,273B,285B,351B 'exist':225B 'expand':31B,95B 'experi':127B,156B,236B 'experience360':326B 'exterior':361B 'famili':60B,84B 'focus':203B 'follow':8A,27B,258B 'foundat':85B 'free':63B 'freedom':292B 'galleri':44B,77B,138B,274B 'gather':213B 'genocid':248B 'give':208B 'goodman':74B 'group':130B 'hall':92B 'histori':195B 'hollywood':263B 'holocaust':2A,14B,37B,108B,191B 'holograph':237B 'ilholocaustmuseum.org':358B 'illinoi':1A,13B 'imag':359B 'immers':350B 'includ':69B,110B,227B 'inform':353B 'interact':233B 'intersect':288B 'jewish':281B 'karkomi':107B 'kelley':164B 'larri':73B 'leo':123B 'lillian':72B 'listen':214B 'loan':279B 'lobbi':80B 'locat':22B,319B 'march':313B 'materi':112B 'mean':220B 'militari':55B 'milwauke':283B 'moment':185B 'museum':3A,15B,167B,255B,282B,316B,348B,360B 'nation':296B 'nazi':134B 'neighborhood':325B 'new':42B,136B,177B,206B 'north':324B 'novemb':6A,24B,268B 'offer':143B,257B 'open':267B,329B,337B 'part':252B 'peopl':186B 'personnel':56B 'photo':362B 'place':211B 'polit':290B 'present':98B 'presid':171B 'program':101B 'project':68B 'provid':343B 'public':100B 'quiet':146B 'realiti':230B 'receiv':62B 'red':264B,300B 'redesign':71B 'reflect':43B,137B 'refresh':90B 'remain':251B,309B,328B 'renov':9A,29B,341B 'reopen':5A,19B,46B,260B 'reserv':356B 'resid':122B 'resili':91B 'river':323B 'root':115B 'run':161B 'said':163B 'satellit':318B 'scare':265B,301B 'secur':297B 'seide/definedspace.com':365B 'senior':169B 'set':180B 'shapiro':83B 'sharper':202B 'shifra':106B 'skoki':21B,340B 'space':33B,147B,336B 'special':272B 'speech':294B 'staff':12B 'stage':96B 'stand':242B 'stori':119B,235B 'survivor':200B,234B 'szani':165B 'take':240B 'talk':216B 'target':131B 'theater':231B,238B 'ticket':355B 'time':48B 'today':224B 'tone':182B 'updat':34B,102B 'us':209B 'veteran':52B,57B 'vice':170B 'view':311B 'virtual':229B 'visit':152B,357B 'visitor':32B,144B,154B 'voic':198B,246B 'welcom':86B,178B 'zev':105B","thumbnail":"https://res.cloudinary.com/dfafo598z/image/upload/v1792084731/ziynfdisvbupniolikjr.jpg","editor_pick":true},{"id":14357,"title":"As One New Fair Opens another Familiar Name Announces Its Return in 2027","excerpt":null,"body":"![](\"https://res.cloudinary.com/dfafo598z/image/upload/v1791471661/j25vt7cxeohehapkz9n1.jpg\")
By GINNY VAN ALYEA
SOFA Chicago, the longtime fair devoted to sculpture, objects, functional art and collectible design, will return to the city October 28–31, 2027, as part of Chicago Art Fair at THE MART, which opened its inaugural edition last night.
Founded in Chicago in 1994, SOFA became a popular fixture on the city’s fall arts calendar. For much of its history, collectors and visitors gathered at Navy Pier to discover works in glass, ceramics, wood, metal and fiber, alongside sculpture and design. Its focus on materials and craftsmanship gave the fair a distinct identity and cultivated a devoted audience.
The announcement comes as the inaugural Chicago Art Fair gets underway at THE MART. The new fair opened with a preview on October 7 and continues through October 10, presenting modern and contemporary art. Tim von Gal, CEO and producer of SOFA Chicago and CEO of Intersect Art and Design, was in Chicago this week for the occasion.
Organizers describe the 2027 collaboration as two distinct but complementary presentations under one roof, with SOFA’s focus on three-dimensional art and design alongside Chicago Art Fair’s broader offerings.
“Chicago has always been an extraordinary home for SOFA and a city with a deep appreciation for art, craft, architecture and design,” said von Gal in the announcement. “Joining the Chicago Art Fair at THE MART gives us the opportunity to build upon that legacy while creating an exciting new experience for collectors and exhibitors alike.”
Eric Smith, owner of Chicago Art Fair and CEO of Redwood Art Group, said the addition would broaden the fair’s scope while preserving SOFA’s identity.
“SOFA has a remarkable legacy and a distinct identity, and its return adds an important new dimension to the fair while reinforcing Chicago’s position as a destination for collectors, galleries and art lovers from around the world,” Smith said.
For those who remember SOFA as an annual opportunity to encounter ambitious work in craft and design, the return will be welcome news. The participating galleries and programming, still to be announced, will provide a fuller picture of how that legacy will take shape in its new setting.
SOFA Chicago is produced by Intersect Art and Design, which also organizes annual art and design fairs in Aspen and Palm Springs.
Additional details about exhibitors, partnerships and tickets are expected in the coming months.
Visit chicagoartfair.com for updates.
","published_at":"2026-10-08 08:42:55.758","state":"published","slug":"as-one-new-fair-opens-another-familiar-name-announces-its-return-in-2027","type":null,"meta_description":"","text":null,"created_at":"2026-10-08 15:01:02.232","updated_at":"2026-10-08 15:01:02.232","category_id":1,"highlighted":false,"searchable":"'10':145B '1994':61B '2027':13A,40B,178B '28':38B '31':39B '7':140B 'add':302B 'addit':278B,400B 'alik':262B 'alongsid':96B,200B 'also':388B 'alway':209B 'alyea':17B 'ambiti':341B 'announc':9A,118B,234B,361B 'annual':337B,390B 'anoth':6A 'appreci':222B 'architectur':226B 'around':325B 'art':28B,45B,72B,124B,150B,164B,197B,202B,224B,238B,268B,274B,322B,384B,391B 'aspen':396B 'audienc':116B 'becam':63B 'broaden':280B 'broader':205B 'build':248B 'calendar':73B 'ceo':154B,161B,271B 'ceram':91B 'chicago':19B,44B,59B,123B,159B,169B,201B,207B,237B,267B,312B,379B 'chicagoartfair.com':414B 'citi':36B,69B,218B 'collabor':179B 'collect':30B 'collector':79B,259B,319B 'come':119B,411B 'complementari':184B 'contemporari':149B 'continu':142B 'craft':225B,344B 'craftsmanship':105B 'creat':253B 'cultiv':113B 'deep':221B 'describ':176B 'design':31B,99B,166B,199B,228B,346B,386B,393B 'destin':317B 'detail':401B 'devot':23B,115B 'dimens':306B 'dimension':196B 'discov':87B 'distinct':110B,182B,297B 'edit':54B 'encount':340B 'eric':263B 'excit':255B 'exhibitor':261B,403B 'expect':408B 'experi':257B 'extraordinari':212B 'fair':4A,22B,46B,108B,125B,133B,203B,239B,269B,282B,309B,394B 'fall':71B 'familiar':7A 'fiber':95B 'fixtur':66B 'focus':101B,192B 'found':57B 'fuller':365B 'function':27B 'gal':153B,231B 'galleri':320B,355B 'gather':82B 'gave':106B 'get':126B 'ginni':15B 'give':243B 'glass':90B 'group':275B 'histori':78B 'home':213B 'ident':111B,289B,298B 'import':304B 'inaugur':53B,122B 'intersect':163B,383B 'join':235B 'last':55B 'legaci':251B,294B,370B 'longtim':21B 'lover':323B 'mart':49B,130B,242B 'materi':103B 'metal':93B 'modern':147B 'month':412B 'much':75B 'name':8A 'navi':84B 'new':3A,132B,256B,305B,376B 'news':352B 'night':56B 'object':26B 'occas':174B 'octob':37B,139B,144B 'offer':206B 'one':2A,187B 'open':5A,51B,134B 'opportun':246B,338B 'organ':175B,389B 'owner':265B 'palm':398B 'part':42B 'particip':354B 'partnership':404B 'pictur':366B 'pier':85B 'popular':65B 'posit':314B 'present':146B,185B 'preserv':286B 'preview':137B 'produc':156B,381B 'program':357B 'provid':363B 'redwood':273B 'reinforc':311B 'remark':293B 'rememb':333B 'return':11A,33B,301B,348B 'roof':188B 'said':229B,276B,329B 'scope':284B 'sculptur':25B,97B 'set':377B 'shape':373B 'smith':264B,328B 'sofa':18B,62B,158B,190B,215B,287B,290B,334B,378B 'spring':399B 'still':358B 'take':372B 'three':195B 'three-dimension':194B 'ticket':406B 'tim':151B 'two':181B 'underway':127B 'updat':416B 'upon':249B 'us':244B 'van':16B 'visit':413B 'visitor':81B 'von':152B,230B 'week':171B 'welcom':351B 'wood':92B 'work':88B,342B 'world':327B 'would':279B","thumbnail":"https://res.cloudinary.com/dfafo598z/image/upload/v1791471648/qlsatdxqgau2braeekxu.jpg","editor_pick":true},{"id":14324,"title":"Pigment International Dedicates Black Fine Art Month 2026 to Richard Hunt","excerpt":"","body":"![](\"https://res.cloudinary.com/dfafo598z/image/upload/v1791479103/r9oi9u47474rx2synx0p.png\")
The artist Richard Hunt
By CGN Staff
Pigment International has dedicated Black Fine Art Month 2026 to Chicago sculptor Richard Hunt (1935–2023), recognizing his contributions to American art and his lifelong connection to the city.
As part of the month’s programming, the organization will host Pigmented: Chicago to the World — A Black Fine Art Convening on October 23 at the University of Chicago’s Logan Center for the Arts. Partners include the Richard Hunt Legacy Foundation, Adler University, CAI Designs, Chicago Public Art Group, Chicago Sculpture Exhibit and Diasporal Rhythms.
Born and raised on Chicago’s South Side, Hunt developed an internationally recognized practice while continuing to live and work in his hometown. His welded metal sculptures brought together abstract forms, references to the natural world and an enduring interest in freedom and social justice.
Hunt identified attending Emmett Till’s funeral in 1955 as a turning point in his artistic life. Till had lived just two blocks from Hunt’s home. Decades later, Hunt’s public commissions would honor figures including Martin Luther King Jr., Mary McLeod Bethune, Jesse Owens and Ida B. Wells, while also addressing the Middle Passage and the Great Migration.
In 1968, President Lyndon Johnson appointed Hunt to the National Council on the Arts, where he became its first African American member. In 1971, at age 35, he became the first African American sculptor to receive a retrospective at New York’s Museum of Modern Art. His career encompassed more than 150 solo exhibitions and more than 160 public art installations.
![](\"https://res.cloudinary.com/dfafo598z/image/upload/v1791479104/lltcodkx39gd8sbhtus1.png\")
Richard Hunt with artist Chris Devins, who recently completed a mural honoring the sculptor in Hyde Park. Photo courtesy of Chris Devins.
Recent projects in Chicago offer new ways to encounter Hunt’s work and history. This fall, the Logan Center opened the Hunt, a café honoring the artist. Created and designed by Little Black Pearl founder and executive director Monica Haslip, the space incorporates two Hunt sculptures, African art, archival materials and photographs by Sandro Miller.
In Hyde Park, artist Chris Devins and historian Michelle Duster have brought a mural of Hunt to 1515–19 E. 54th Street. The portrait is based on photographs Devins took in Hunt’s studio before the sculptor’s death.
“Richard Hunt was a giant in the arts world and people need to see what he looked like and be inspired by his legacy,” Devins said.
Pigment International’s dedication also reflects its own relationship with Hunt. The organization featured him in its magazine in 2020, and he welcomed its Black Fine Art Month programming into his studio in October 2021.
#
Two events take place this month:
Pigment International at SPECTRUM Chicago Art Fair
October 7–10, 2026.
Chicago Merchandise Mart, seventh floor, booth #3091.
Wednesday, October 7, 5–8 pm, with a champagne toast in the booth and an artist meet-and-greet.
Thursday, October 8, 6-8pm with Diasporal Rhythms
Featured artists: Jesse Howard, Howard Simmons, Edo, Candace Hunter, Sura DuPart and Max Sansing.
Additional events are taking place during the fair
Chicago to the World: A Black Fine Art Month Convening
Presented by Pigment International as part of Black Fine Art Month, which the organization has dedicated this year to Richard Hunt.
Friday, October 23, 2026, 11:30 am–5 pm.
Logan Center for the Arts, 915 E. 60th Street, Chicago.
Details at pigmentintl.com