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CHICAGO (May 23, 2024) – Today, the Driehaus Museum, at Wabash and Erie, is proud to announce that its John B. Murphy Memorial Auditorium has received City of Chicago landmark designation. The Driehaus Museum is now comprised of two landmarked buildings – the 1926 Murphy Auditorium and the 1883 Nickerson Mansion. Following the Museum’s restoration of the historic building, it will officially reopen the Murphy Auditorium as part of its campus on June 21.
The restoration of the historic Murphy Auditorium began in summer 2023 and included restoring the main auditorium on the ground floor to its original grandeur, enhancing it with modern lighting, and creating a leveled, unified, and accessible seating area to make it a world-class venue for music, events, and programs that support the Museum’s mission and allow it to open its doors wider to the community. The project also renewed former office space above the auditorium to create a dynamic new Learning Center with art and maker studios, new offices, seminar rooms, and an 800-square foot outdoor terrace on the top floor. Summer programs on the campus will be kicked off with a weekend of free admissionincluding access to the exhibition Chicago Collects: Jewelry in Perspective from Friday at 11AM, June 21 to Sunday, June 23, also ushering in the Museum’s expanded hours and added amenities
According to Driehaus Executive Director Lisa Key, “It is thrilling for us to complete this important renovation creating a new Museum campus, offering visitors not only an incredible museum of art, architecture, and design, but now a newly rejuvenated auditorium that will add a vital and dynamic public space to the cultural campus in Chicago that will continue toincrease the historical profile of this great city of architecture.” Key added, “It was museum founder, Richard H. Driehaus, who had the vision to combine these historic buildings into one museum campus. We are so happy this vision has come to fruition and now this expansion allows us to extend our work outward in the larger community.”
“It was a huge relief to learn about the Driehaus Museum expanding its campus into the adjacent Murphy Memorial. There are not many options for finding an appropriate re-use that would respect the historic character of such a monumentally scaled historic building while at same time providing a positive impact on the surrounding neighborhood,” said Tim Samuelson, the Cultural Historian Emeritus of the City of Chicago. “The Driehaus Museum has been a thoughtful community partner and valuable neighborhood asset for the past twenty years, and its expansion into the Murphy makes something great even greater!”
To become a more accessible and visible part of the community and Chicago’s cultural landscape, starting June 26, the Driehaus Museum will offer expanded hours and free admission on Wednesday evenings from 5 to 7pm. The restoration project also refreshed the Museum’s amenities including a larger coat check and renovated bathrooms. Guests to the Museum will now enter through the Murphy’s Tiffany-designed doors at 50 East Erie, and the Museum’s address will officially change to 50 East Erie.
Antunovich and Associates and Bulley & Andrews, both of whom were involved in the extensive renovation of the Nickerson Mansion from 2003-2008, were the architecture and building partners for the Murphy Auditorium. The opening of the updated building will present a full suite of new programming tied to the Driehaus Museum’s strategic vision, along with a range of activities and events, both public and private, for the community.
ABOUT THE MURPHY AUDITORIUM
Located at 50 East Erie, the six-story, 32,193-square-foot French Renaissance-style building, purchased by the Driehaus Museum in 2022, was built between 1923 and 1926 by the American College of Surgeons. Designed by noted Chicago architects Benjamin Marshall and Charles E. Fox of Marshall and Fox, the Murphy was used originally to host meetingsand serve as a center for education in surgery. Its iconic exterior is Marshall’s interpretation of the double-columned, two-story façade and flanking entry staircase of the Chapelle Notre-Dame-de-Consolation (1900) in Paris.
The building features a pair of cast bronze doors designed by Tiffany Studios at the front entrance, comprised of six panels depicting prominent figures in the history of medicine. It also has a towering, multicolored stained-glass window inside the auditorium. It was built as a memorial to founding member John B. Murphy, MD, FACS. Dr. Murphy was regarded worldwide as the greatest clinical educator of his generation, and known for performing a life-saving surgery on President Theodore Roosevelt in 1912.
SUMMER EXHIBITION
Chicago Collects: Jewelry In Perspective
May 23 to September 23, 2024
Chicago Collects: Jewelry in Perspective is an exhibition of over two hundred pieces of rare and historically significant jewelry from the 17th century to the present, all from prominent Chicago collections. This first-of-its- kind exhibition includes a range of never-seen-before jewelry and decorative arts objects from the Richard H. Driehaus Collection alongside objects from the Chicago History Museum, the Field Museum, and the Lizzardo Museum of Lapidary Art, among loans from other Chicago collections. The exhibition is organized by jewelry historian and author Elyse Zorn Karlin, guest curator of the Museum’s popular 2015 exhibition Maker and Muse: Women and 20th Century Art Jewelry.
SUMMER PROGRAMS
Walking Chicago's Alleys
June 15, July 13, August 17, September 28, 11:00-12:30 pm
$35 General, $17 Student
Plenty can be learned by walking Chicago’s streets, but a whole hidden history can be seen in its alleys. Visitors can discover how Chicago became the alleyway capital of the country, dig into the history of urban trash, and see Chicago architecture from a new perspective on this alleyway walking tour. Curator and historian Madeline Crispell will trace a route through the Gold Coast and end at the Driehaus Museum, covering everything from how activists like Jane Addams worked to clean up the alleyways to how a new generation of green alleys can help the city adapt to a changing climate.
Brick of Chicago Summer Walking Tours
June 26 (6-7pm), July 17 (2-3pm), August 7 (6-7pm), September 4 (2-3pm)
$35 General, $17 Student
Will Quam is an architecture photographer and historian based in Chicago. In his popular walking tours, Quam shows visitors a variety of bricks and brick designs used in the city of Chicago. Quam leads a tour in the area around the Driehaus Museum, including the Medinah Temple and the Allerton Hotel.
Jewelry Heist Night: Murph the Surf Film Screening and Talkback
Wednesday, July 31, 5:30pm
$25 General, $15 Student
18+
Throughout the run of Chicago Collects: Jewelry in Perspective, the Driehaus Museum hosts ‘Jewelry Heist Night’ film screenings of classic heist films and talkbacks with film experts. The 1975 film Murph the Surf chronicles the audacious 1964 heist of the J.P. Morgan jewel collection from the American Museum of Natural History in New York City. Dubbed \"The Greatest Jewel Heist of the 20th Century,\" the film will be introduced by Chicago Collects guest curator, Elyse Karlin, who will set the context for the film with a primer on the visuals and narrative.
Jewelry Heist Night: Topkapi Film Screening and Talkback
Thursday, August 15, 5:30pm
$25 General, $15 Student
18+
Throughout the run of Chicago Collects: Jewelry in Perspective, the Driehaus Museum hosts ‘Jewelry Heist Night’ film screenings of classic heist films and talkbacks with film experts. In the 1964 film Topkapi, the elegant thief Elizabeth Lipp and the cunning criminal mastermind Walter Harper join forces to orchestrate the heist of a lifetime: the theft of an emerald-encrusted dagger housed within Istanbul's prestigious Topkapi Palace. The film will be introduced by School of the Art Institute Professor Bruce Jenkins, who will set the context for the film with a primer on the creative team behind the film.
Jewelry Heist Night: Ocean’s Eight Film Screening and Talkback
Monday, September 16, 5:30pm
$25 General, $15 Student
18+
Throughout the run of Chicago Collects: Jewelry in Perspective, the Driehaus Museum hosts ‘Jewelry Heist Night’ film screenings of classic heist films and talkbacks with film experts. In the stylish and empowering Ocean’s Eight (2018) starring Sandra Bullock and Cate Blanchett, Debbie Ocean leads an elite, all-female team of thieves and experts in a daring scheme. Their target: the dazzling $150 million diamond necklace adorning the neck of the glamorous actress Daphne Kluger, set to make its debut at the prestigious Met Gala. The film will be introduced by School of the Art Institute adjunct Professor Patricia Erens, who will set the context for the film with a primer on the visuals and narrative.
ABOUT THE DRIEHAUS MUSEUM
The Driehaus Museum engages and inspires the global community through exploration and ongoing conversations in art, architecture, and design of the late nineteenth and early twentieth centuries. Its permanent collection and temporary exhibitions are presented in an immersive experience within the restored Nickerson Mansion, completed in 1883, at the height of the Gilded Age, and the Murphy Auditorium, built in 1926. The Museum’s collection reflects and is inspired by the collecting interests, vision, and focus of its founder, the late Richard H. Driehaus. For more information, visit driehausmuseum.org and connect with the Museum on Facebook, Twitter, and Instagram.
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By CGN STAFF
Illinois Holocaust Museum & Education Center will reopen its Skokie location on November 11, 2026, following a renovation that expands visitor spaces, updates its core Holocaust exhibition and adds a new reflection gallery. The reopening is timed to coincide with Veterans Day. Active military personnel, veterans and their families will receive free admission that day.
The project includes a redesigned Lillian & Larry Goodman Auditorium and Gallery, an enlarged lobby in the Shapiro Family Foundation Welcome Center, and a refreshed Resilience Hall with an expanded stage for presentations and public programs.
Updates to the Zev & Shifra Karkomi Holocaust Exhibition include additional material on the roots of antisemitism, the story of Chicago resident Leo Edelman, and the experiences of other groups targeted by the Nazis. A new reflection gallery, accessible from the exhibition, offers visitors a quiet space during and after their visit.
“Every visitor’s experience now begins differently and runs deeper,” said Kelley Szany, the Museum’s senior vice president of education and exhibitions. “The new welcome center sets the tone from the moment people arrive, the enhanced core Holocaust exhibition brings the history and the voices of survivors into sharper focus, and our new auditorium gives us a place to gather, listen, and talk about what it means for our communities today.”
Existing attractions, including the virtual reality theater, the interactive Survivor Stories Experience holographic theater, the Take A Stand Center and the Voices of Genocide Exhibition, will remain part of the Museum’s offerings.
Following the reopening, Blacklist: The Hollywood Red Scare will open November 15 in the special exhibition gallery. Created by and on loan from Jewish Museum Milwaukee, the exhibition examines the intersections of politics, antisemitism, freedom of speech and national security during the Red Scare of the 1940s and 1950s. It will remain on view through March 2027.
The Museum’s satellite location in Chicago’s River North neighborhood, Experience360, will remain open through December 31, 2026. The downtown space opened during the Skokie renovation to provide continued access to the Museum’s immersive exhibitions.
For information and ticket reservations, visit ilholocaustmuseum.org.
Image: Museum exterior. Photo by David Seide/Definedspace.com
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By GINNY VAN ALYEA
SOFA Chicago, the longtime fair devoted to sculpture, objects, functional art and collectible design, will return to the city October 28–31, 2027, as part of Chicago Art Fair at THE MART, which opened its inaugural edition last night.
Founded in Chicago in 1994, SOFA became a popular fixture on the city’s fall arts calendar. For much of its history, collectors and visitors gathered at Navy Pier to discover works in glass, ceramics, wood, metal and fiber, alongside sculpture and design. Its focus on materials and craftsmanship gave the fair a distinct identity and cultivated a devoted audience.
The announcement comes as the inaugural Chicago Art Fair gets underway at THE MART. The new fair opened with a preview on October 7 and continues through October 10, presenting modern and contemporary art. Tim von Gal, CEO and producer of SOFA Chicago and CEO of Intersect Art and Design, was in Chicago this week for the occasion.
Organizers describe the 2027 collaboration as two distinct but complementary presentations under one roof, with SOFA’s focus on three-dimensional art and design alongside Chicago Art Fair’s broader offerings.
“Chicago has always been an extraordinary home for SOFA and a city with a deep appreciation for art, craft, architecture and design,” said von Gal in the announcement. “Joining the Chicago Art Fair at THE MART gives us the opportunity to build upon that legacy while creating an exciting new experience for collectors and exhibitors alike.”
Eric Smith, owner of Chicago Art Fair and CEO of Redwood Art Group, said the addition would broaden the fair’s scope while preserving SOFA’s identity.
“SOFA has a remarkable legacy and a distinct identity, and its return adds an important new dimension to the fair while reinforcing Chicago’s position as a destination for collectors, galleries and art lovers from around the world,” Smith said.
For those who remember SOFA as an annual opportunity to encounter ambitious work in craft and design, the return will be welcome news. The participating galleries and programming, still to be announced, will provide a fuller picture of how that legacy will take shape in its new setting.
SOFA Chicago is produced by Intersect Art and Design, which also organizes annual art and design fairs in Aspen and Palm Springs.
Additional details about exhibitors, partnerships and tickets are expected in the coming months.
Visit chicagoartfair.com for updates.
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The artist Richard Hunt
By CGN Staff
Pigment International has dedicated Black Fine Art Month 2026 to Chicago sculptor Richard Hunt (1935–2023), recognizing his contributions to American art and his lifelong connection to the city.
As part of the month’s programming, the organization will host Pigmented: Chicago to the World — A Black Fine Art Convening on October 23 at the University of Chicago’s Logan Center for the Arts. Partners include the Richard Hunt Legacy Foundation, Adler University, CAI Designs, Chicago Public Art Group, Chicago Sculpture Exhibit and Diasporal Rhythms.
Born and raised on Chicago’s South Side, Hunt developed an internationally recognized practice while continuing to live and work in his hometown. His welded metal sculptures brought together abstract forms, references to the natural world and an enduring interest in freedom and social justice.
Hunt identified attending Emmett Till’s funeral in 1955 as a turning point in his artistic life. Till had lived just two blocks from Hunt’s home. Decades later, Hunt’s public commissions would honor figures including Martin Luther King Jr., Mary McLeod Bethune, Jesse Owens and Ida B. Wells, while also addressing the Middle Passage and the Great Migration.
In 1968, President Lyndon Johnson appointed Hunt to the National Council on the Arts, where he became its first African American member. In 1971, at age 35, he became the first African American sculptor to receive a retrospective at New York’s Museum of Modern Art. His career encompassed more than 150 solo exhibitions and more than 160 public art installations.
![](\"https://res.cloudinary.com/dfafo598z/image/upload/v1791479104/lltcodkx39gd8sbhtus1.png\")
Richard Hunt with artist Chris Devins, who recently completed a mural honoring the sculptor in Hyde Park. Photo courtesy of Chris Devins.
Recent projects in Chicago offer new ways to encounter Hunt’s work and history. This fall, the Logan Center opened the Hunt, a café honoring the artist. Created and designed by Little Black Pearl founder and executive director Monica Haslip, the space incorporates two Hunt sculptures, African art, archival materials and photographs by Sandro Miller.
In Hyde Park, artist Chris Devins and historian Michelle Duster have brought a mural of Hunt to 1515–19 E. 54th Street. The portrait is based on photographs Devins took in Hunt’s studio before the sculptor’s death.
“Richard Hunt was a giant in the arts world and people need to see what he looked like and be inspired by his legacy,” Devins said.
Pigment International’s dedication also reflects its own relationship with Hunt. The organization featured him in its magazine in 2020, and he welcomed its Black Fine Art Month programming into his studio in October 2021.
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Two events take place this month:
Pigment International at SPECTRUM Chicago Art Fair
October 7–10, 2026.
Chicago Merchandise Mart, seventh floor, booth #3091.
Wednesday, October 7, 5–8 pm, with a champagne toast in the booth and an artist meet-and-greet.
Thursday, October 8, 6-8pm with Diasporal Rhythms
Featured artists: Jesse Howard, Howard Simmons, Edo, Candace Hunter, Sura DuPart and Max Sansing.
Additional events are taking place during the fair
Chicago to the World: A Black Fine Art Month Convening
Presented by Pigment International as part of Black Fine Art Month, which the organization has dedicated this year to Richard Hunt.
Friday, October 23, 2026, 11:30 am–5 pm.
Logan Center for the Arts, 915 E. 60th Street, Chicago.
Details at pigmentintl.com